Topozen : topography + zen
If you don’t reside near a slow landscape, I wouldn’t be surprised to hear from you that your experience of slow is episodic. Perhaps on the weekends you drive more than an hour to relish the beach—or maybe you take vacations from work to travel to an exotic paradise. I would also not be surprised to hear that you’re so caught up in the day-to-day that a moment of peace does not even exist for you. I saw a need for an alternative to the normalized, fast-paced life—and I developed a landscape design practice to serve that need—to serve those who seek to slow down..
My path to creating Topozen sprung from my interest in urban environments—and an interest in creating system-scale solutions that address climate change. My interest in urban environments comes from having resided in places like the Pacific Northwest, Southern California, New England, Chicago, New York City, and Tokyo—and from seeing many different ways of living; my interest in urban environments comes from a place of curiosity and wonder. I’ve worked on private residential, commercial, institutional, and city-owned public projects that serve the 1%-ers and the 99%. I especially cherish the memories of instructing landscape design studios at the Boston Architectural College, Rhode Island School of Design, and City University of New York.
Topozen manages to touch upon the urban scale and the personal scale. Topozen is about serving the individuals who serve the communities they are part of—it’s about serving the people and the planet.
So much of living with a slow landscape is about having the opportunity to let your brain rest, to feel calm, to be in the present—each and every day. It’s about accruing positive emotions and experiences—one day at a time. It’s about establishing a positive affect—and settling into an upward spiral.
TAKUMA ONO
Chief of Slow, Topozen
Co-Creator, Aershop
Master of Landscape Architecture, MLA1. Harvard Graduate School of Design, 2007
Bachelor of Science, Microbiology. University of California, Santa Barbara 1998